The writer John Smythe wrote about Nathan Pratt in the June, 1977 issue of Skateboarder Magazine: Keeping the low profile in his speed profile, Nathan Pratt remains unknown by choice rather than chance.
In dealing with this individual, the visibility factor cannot be ignored. For instance, Pratt shows up at the opening day of a new skate park. He is here to investigate rather than ride. Out of a crowd of 300 very star-conscious people, no one recognizes him. Nathan likes it that way, and he keeps it that way. During an early interview session at a posh Ocean Park, California, eatery, a young woman, who appeared to be on rather intimate terms with Pratt (she was sitting on his lap), exclaimed incredulously, “Nathan, I never knew you rode a skateboard!”
The interesting thing about him is while he is virtually invisible within the sport, he’s highly visible outside of it. Nathan Pratt frequently demonstrates his stunt skating expertise in assorted television and motion picture productions. 
His prominence in this area is such that he was recently the subject of a German public television broadcast. (Characteristically, Nathan conducted his entire TV dialogue from within the confines of one of his speed shells, never once revealing his face to the camera.)
Through his appearances, Pratt presents skateboarding to millions who would otherwise have no contact with it. Nathan possesses an inquisitive mind, and he continually offers unconventional solutions to conventional situations. In skating, he was the first to engage in jumping substantial heights.
Pratt’s sophisticated equipment and stylish jumping endeavors offered a dramatic counterpoint to the apish gripping of the low-”flying” aerial B.F. gang. He was also the first to build wind-foil fairing devices, an approach that has generated numerous imitations. Pratt doesn’t fit the mold of the skate star, because he doesn’t recognize such boundaries. His perspective is always unusual. Perhaps this interview is best defined as the views of someone looking from the outside in… or is it someone looking from the inside out?” – John Smythe [“Skateboarder Magazine” – June 1977]
